niels horeman
coaching en training
Recent work
My Dinner With You
A performance by Niels Horeman
My Dinner With You
Cannibalistic dinner-date. Food for thought with deadly dessert.
Based on a true story of a cannibal who found his volunteering victim through an ad. Disturbingly funny performance that provokes us to rethink our values. Our charming cannibal shows what can happen if we forget to connect with ourselves. We might end up thinking that we are not enough.
All humans need food
Food can be human
Therefore, humans need humans
A plea for more empathy, modesty and being interdependent.


The Patchwork Odyssey
Live Storytelling:
The Odyssey.
Different every night.
A group of actors and a cellist attempt to reawaken the spirit of The Odyssey using only what they can remember by reading the books. Although, to be honest, they did prepare some songs and poems to back them up. To add to the fun, there are some rules:
− The show is cast in front of The audience.
− Performers must incorporate all kinds of surprising tasks. For example Sing the Book or Tell a Personal Memory.
− The cellist can interrupt any time with a song or noise that the actors must incorporate into The play.
This way the players are forced to recreate the story afresh night after night. Creating unique angles, surprising choices and, sometimes, impossible problems. Like Odysseus, the actors must rescue themselves and bring the story home. Watch The actors sink or swim.
This project is supported by the AFK, VSB, for the art, COCO-MAT.

“A Beautiful catch! Funky, touching “★★★★★ Daily starfish
“From the Heart to the heart. Surprising, risky “★★★★★ A’dam
“It’s like reliving your youth. Loved it. True Fringe must See! “★★★★★ Mindshakes

Live Storytelling:
A Midsummer Night’s Dream.
Different every night.
The Dutch Factory combine improvisation and location theatre with The original lines of classical plays in English. The performances happen in the moment, making full use of the room, the audience and the objects they bring. Each time we offer a unique version of A Midsummer night’s Dream. Only Shakespeare’s original lines are fixed – as for the rest, it’s come what may come.
Things won are done, Joy’s soullies in the doing. -Shakespeare